0. About this course
0.1 The analysis
0.2 User interface
0.3 Symbols and conventions
0.3.1 Some examples
0.4 Phrasing, accentuation and melody
0.5 Sameness and difference
0.5.1 Pitch tracks vs auditory impression
0.6 Before we really begin...
1. Falling contours
1.1 H*L pitch accent
1.2 Pre-nuclear H*L
1.2.1 Exercise 1A
1.3 H*L close to H*L
1.4 Final incomplete fall
1.5 Final H% after H*L
1.5.1 Exercise 1B
1.6 Downstepped H*
1.7 Downstep with spreading
1.7.1 Exercise 1C
1.8 Pre-nuclear H*LH
1.8.1 Exercise 1D
1.8.2 Exercise 1E
2. Pauses
2.1 Exercise 2
3. Initial boundary tones
3.1 Low preheads
3.2 High preheads
3.3 Falling preheads
3.3.1 Exercise 3A
3.3.2 Exercise 3B
4. Level contours
4.1 Types of level contours
4.1.1 Level tone
4.1.2 Vocative chant
4.1.3 'Scathing' intonation
4.1.3.1 Exercise 4A
4.1.3.2 Exercise 4B
5. Rising contours
5.1 Types of rises
5.2 High rise
5.3 Low rises
5.3.1 Low rises with H%
5.3.2 Low rises without H%
5.3.2.1 Exercise 5A
5.3.3 Pre-nuclear L*H
5.3.4 Low low rise
5.4 Some rises as markers of non-final IP
5.4.1 Exercise 5B part 1
5.5 Pre-nuclear singleton H* and L*
5.5.1 Singleton H*
5.5.2 Singleton L*
5.5.2.1 Exercise 5C
6. Delayed peaks
6.1 Exercise 6
7. Appended constructions
7.1 Tagged constructions
7.1.1 Exercise 7A
7.2 Unaccented IPs
7.2.1 Exercise 7B
8. Exercises All Contours
8.1 Exercise 8A
8.2 Exercise 8B
8.3 Exercise 8C
Light
Rust
Coal
Navy
Ayu
Transcription of Dutch intonation
Exercise 7B